JI HYUN CHEONG


์ •์ง€ํ˜„ ์ž‘๊ฐ€๋Š” ํ•œ์ง€์— ๋ชฉํƒ„์œผ๋กœ ์ž‘์—…ํ•œ๋‹ค. ์ƒ‰์„ ์ ˆ์ œํ•ด ์™”์œผ๋ฉฐ, ์Šค์Šค๋กœ์—๊ฒŒ ๋ถ€์—ฌํ•œ ์ œํ•œ๋œ ์กฐ๊ฑด ์•ˆ์—์„œ ์ž‘์—…ํ•œ๋‹ค. ์ตœ๊ทผ์—๋Š” ์„ ํƒ์ ์œผ๋กœ ๋ณด์ด๋Š” ๋ฐค์˜ ํ’๊ฒฝ ์†์— ์ˆจ๊ฒจ์ง„ ์ •์น˜, ์‚ฌํšŒ์  ์ฝ”๋“œ์™€ ์„œ์‚ฌ๋ฅผ ๋“œ๋Ÿฌ๋‚ด๋Š” ์—ฐ์ž‘ ์ž‘์—…์„ ํ•˜๊ณ  ์žˆ๋‹ค. ๋˜, ์ผ์ƒ์—์„œ ๊ฒฝํ—˜ํ•˜๋Š” ์˜์—ญ์นจ๋ฒ”์— ๊ด€ํ•ด์„œ๋„ ์ž‘์—…ํ•˜๊ณ  ์žˆ๋‹ค.

CHEONG Jihyun works with charcoal on traditional Korean paper, hanji. She exercises restraint with colors and operates within self-imposed constraints. Recently, she has been creating a series of works that reveal hidden political, social codes, and narratives within selectively visible night landscapes. Additionally, she explores the concept of boundary crossing in everyday experiences through her art.